I filled it out, but I'm sure my answers have changed back and forth several times since then. Finger pointing and throwing stones only equals broken bones and eventually the extinction of the entire human race. Not nearly as bad as it's made out to be. Guy Pierce was okay, and Hayden Christensen was not as terrible as one might think - they problem with both performances was that the script is terrible - it is hard to know if either of them could embody their roles when both men are only asked to portray very shallow caricatures of warhol and Dylan - forced to utter ridiculous dialogue that neither man would have ever said in 100 lifetimes - and stuck in a by the numbers lifetime movie about addiction - with all the insight that a television movie could muster (maybe even less insight, actually) i think Dylan does have a reason to sue - although i'm not sure it is the wisest approach - i think we just have to hope there is a special place in hades for people who make slanderous films about famous people because it is so hard to sue - and i think his suit will probably sell tickets - especially from what i could see at the screening i went to today - there were quite a few people for a late afternoon screening (1/2 to 2/3's full) - compare that to diane arbus's family which ignored fur and watched it disappear from theaters almost immediately after its release - as for sienna, she's in all of her acting class glory, looking cute in the first half of the movie and bedraggled in the second - i'm sure she and harvey were fishing for an award - but if you watch angelina jolie in gia and then watch miller in this you will see what a lightweight performance it truly is -. "The Factory" was the entire fifth floor studio of 231 East 47th Street in Midtown Manhattan serving as artistic sanctuary for Andy Warhol and the place for artsy types in the mid to late 60's. The really terrible thing about it all is that the film tries to come across as if it did really happen this way. Guy Pearce gives an excellent performance, and Sienna Miller is charming in a moronically written role, but this film, which should at the very least have been stylish and interesting, is shallow and sentimental in an offensive way. Edie of course lands in rehab and, well, I won't give away the ending, but the New York audience I saw it with roared with laughter and grumbled about the time they had wasted sitting in the theater. It follows Iris, a young, plain-looking factory worker living a lonely, impoverished and uneventful life in late 1980s Finland. It's also where Edie Sedgwick spent most of her time as Warhol turned her into a starlet on his silver screen and as the original Paris Hilton she became famous for being famous, complete with trust fund and a nasty drug habit courtesy of Andy and his "Warhol Superstars". Unfortunately, the numerous re-shoots the producers demanded reduce Andy Warhol -- ANDY WARHOL -- into an almost uninteresting opportunist. Greetings again from the darkness. Greetings again from the darkness. A woman's terribly dull life is upended by a one-night stand pregnancy, causing her to seek retribution. The filmmakers have done the impossible: taken the story of Edie Sedgwick, Andy Warhol's muse and the object of underground fascination for Forty YEARS and produced a movie so banal, predictable, and downright boring that the they must be applauded for even releasing it. I have no side as to what is fact or fiction in this story, nor do I have any favouritism at all regarding any of the real life characters portrayed. I don't know what the whole truth is in terms of the events in this film. I filled it out, but I'm sure my answers have changed back and forth several times since then. I feel that the filmmakers rushed the film and they didn't give the story its just do. Horrible dialogue (and, if it is the actual words, these people had nothing worthwhile to say! Metascore (27 reviews) Provided by Metacritic.com 75. When I like a movie, I can watch it repeatedly. Still, readers will, of course, take this comment with a grain of salt; after all, consider: I still haven't resolved how I feel about this film. Guy is easy, giving a most recognizable portrait of Andy, and making it look effortless. "Im not-i'm not trying to say anything, I sing about what i see." ), the "Dylan" character completely unconvincing and the acting, save for Sienna Miller, who seemed to be trying, nothing more than uninspired. But I'm still grappling with my own feelings; at moments I feel the film is too short, then check myself: did I really want to sit thru more along this film's lines? The director and writers should be sentenced to at least 5 years hard labour for this trash, where they can perhaps drop their ridiculousness and actually learn something about honesty and real life. Does it randomly introduce/evict characters for the sole reason that they were parts of Edie's life? Written by Craig Atkinson (as B.C. Movies. It is a complete joke. This is a hateful film at it's core, and one of pure finger pointing and bitterness rather than any artistic observation or study at all. Is clearly just a device to propel Sienna Miller does a wonderful job with material. 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